abstract composition--black ink on cream--mixing broad strokes, splatters, lines of varying thickness, marbeling effect, and fingerprints; in pencil along bottom reads "For Donn, 'Techniques shit image?' Thanks. Kinji Akagawa '66" — Techniques, 1966
Kinji Akagawa; Printer: Kinji Akagawa; Printer: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.)

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Recognition of Three Events, 1976

Kinji Akagawa; Printer: Kinji Akagawa

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Woodcut: Seven-color Ukiyo-e style in collaboration with Highpoint Exhibition and Studio Manager Joanne Price bleed printed on 10 x 10 inch Japanese mulberry paper. Block cutting under the supervision of, and printing by, Joanne Price. Printing order: (1) Medium yellow (2) Dark orange (3) Red (4) Dark red (5) Red (6) Very dark red (7) Black. Lithograph: Four-color lithograph in collaboration with Highpoint Master Printer Cole Rogers from three stones and one ball grained plate bleed printed on 10 x 10 inch white Rives BFK paper. The images were made with lithographic crayon on two stones, rubbing ink on another, and gum stop out on the plate. Printing order: (1) Light blue (2) Moss green (3) Dark blue (4) Black. Intaglio: One-color spit-bite aquatint bleed printed in black on 10 x 10 inch Pescia Grey paper in collaboration with Highpoint Senior Printer Zac Adams-Bliss. Plate-making and proofing to approval by Zac Adams-Bliss. Edition printed by Justin Israels. — Here and Now: Re-View, Re-Think, i≠i, 2010
Kinji Akagawa; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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abstract image; orange figure with yellow wings (?) driving an open red and yellow car, being chased by another orange figure — Untitled plate from "Minded Mind" portfolio, 1966
Roberto Sebastian Matta; Printer: Kinji Akagawa; Publisher: Minneapolis School of Art

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Sun carving plan, trans. cad. red, 2010

Kinji Akagawa

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Sun proof at state with medium yellow, dark orange, red, dark red, red, and very dark red, 2010

Kinji Akagawa

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Sun proof at state with medium yellow, dark orange, red, dark red, and red, 2010

Kinji Akagawa

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Sun carving plan, trans. orange / yellow, 2010

Kinji Akagawa

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Earth plan drawing, 2010

Kinji Akagawa

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Sun carving plan, 2010

Kinji Akagawa

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Sun proof at state with medium yellow, dark orange, and red, 2010

Kinji Akagawa

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Earth drawing for green, 2010

Kinji Akagawa

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Earth drawing for deep blue, 2010

Kinji Akagawa

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Sun carving plan, orange, 2010

Kinji Akagawa

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Sun carving plan, trans. dark red, 2010

Kinji Akagawa

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Sun carving plan, no color notes, 2010

Kinji Akagawa

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Sun carving plan, purple, 2010

Kinji Akagawa

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Sun watercolor drawing, 2010

Kinji Akagawa

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Sun proof at state with medium yellow, dark orange, red, dark red, red, very dark red, and black, 2010

Kinji Akagawa

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Sun proof at state with medium yellow, and dark orange, 2010

Kinji Akagawa

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Sun proof at state with medium yellow, dark orange, red, and dark red, 2010

Kinji Akagawa

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5 scenes no. 11-15 — Cast of Characters, 1965
José Luis Cuévas; Printer: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.); Printer: Kinji Akagawa; Publisher: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.)

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Grapes, 1967

Don Nice; Printer: Kinji Akagawa / MCAD

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Untitled, plate VII, from "Principalities" suite, 1966

Ynez Johnston; Poet: John Berry; Printer: Kinji Akagawa; Publisher: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.)

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Untitled (A Fleet of Buses 3), 1966

Allen Jones; Printer: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.); Printer: Kinji Akagawa; Publisher: Editions Alecto, London

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